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The Arts Fest tent stood out prominently in Science Center Plaza.
Photo by Dylan Goodman
Arts & Culture
Science Center Plaza resonates with melodic sounds
Harvard Arts Fest fosters artistic expression and innovation on campus
The rhythmic flow of melodies enveloped the Science Center Plaza on May 3 as a throng of students from visiting artist Steven “Rhythm” Garcia‘s Office for the Arts Dance Program course “House” danced freely to the music, mixed by DJ Luna del Flor. Abruptly, the music paused — and members of The Kuumba Singers along with the Harvard Choruses started performing “This Little Light of Mine.” A rich, deep bass-baritone voice resonated above the crowd, as opera singer Davóne Tines ’09, honored with the 2025 Harvard Arts Medal, stepped forward to deliver a powerful solo.
As Tines’ concluding note disappeared into the air, Abe Joyner-Meyers ’22, a sound engineer at American Repertory Theater, took up the melody on his banjo. He quickly partnered with the Arts Fest Jazz Band, which burst into “When the Saints Go Marching In,” leading a procession of spectators into the adjacent tent and officially commencing the Harvard Arts Festival’s Performance Fair.
The yearly spring celebration of the arts dominated stages, galleries, and various locations across Harvard’s campus. This annual festival, orchestrated by the Office for the Arts at Harvard, featured nearly 2,000 participants, comprising students, faculty, staff, and alumni, across 150 occasions, involving public concerts, theatrical displays, and interactive art-making sessions.
“This truly represents the culmination of creative endeavors that have been taking place across our campus during the preceding year,” Fiona Coffey, director of the OFA, expressed to the crowd in the plaza tent. “This is a moment when we need joy, resilience, community, and togetherness more than ever. … I believe that the arts serve as a remarkable means to elevate one another and humanity during tough times.”
Adam Bartholomew ’26, a molecular and cellular biology major, alongside Elizabeth Bennett ’26, a music major with a minor in government, guided the Harvard College Steelpan Ensemble through an emotive rendition of “Can’t Take My Eyes Off You,” famously performed by Frankie Valli and the Four Seasons, receiving enthusiastic applause from the audience.

Operatic bass-baritone Davóne Tines ’09 (right) performs in Lowell Lecture Hall after being awarded the 2025 Harvard Arts Medal, which was conferred by Harvard President Alan Garber.
Photo by Grace DuVal
Bartholomew, a participant in the Harvard-Berklee Joint Studies program who has played steelpan since childhood in Trinidad and Tobago, stated that performing with the instrument at Harvard has long been a cherished aspiration.
“As we set out to form this ensemble over the past two years, we envisioned playing at Arts Fest once we kicked it off,” Bartholomew remarked. “Seeing it finally become a reality is an incredibly fulfilling feeling.”
In Holden Chapel, Ethan Chaves ’26, a joint concentrator in music and philosophy, showcased original pieces for solo viola influenced by the concept of the Jungian shadow. It was a busy day for Chaves, who also performed with the Brattle Street Chamber Players in Adolphus Busch Hall earlier and had an original choral work, “Exultation is the going,” premiered by the Harvard-Radcliffe Collegium Musicum at Memorial Church later that day. Chaves, enrolled in the Harvard-New England Conservatory Dual Degree program, indicated that the festival offers students the chance to explore new creative projects.
“It’s enjoyable because it’s so frenetic; there are constantly around 80 events happening simultaneously,” Chaves commented, “It’s wonderful to witness friends showcase different talents than they usually would and experiment with works in progress not often seen.”
President Alan Garber presented Tines with the Harvard Arts Medal during a ceremony on May 4 in Lowell Lecture Hall. During his address, Garber reminisced about standing next to the award-winning opera artist as he mesmerized the audience in Tercentenary Theatre with his performance of “Lift Ev’ry Voice” at Harvard’s 2019 Commencement.
“Art expresses truth in multifaceted and distinct ways,” Garber articulated. “It expands our hearts alongside our minds. At its best, it drives us to enhance our comprehension and broaden our viewpoints. It encourages us to appreciate the world and one another in novel ways, fostering the potential for compassion and understanding, for genuine and lasting connection.”
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Tines (right) beams during a discussion with Diane Paulus, the Terrie and Bradley Bloom Artistic Director at American Repertory Theater.
Photo credit to Grace DuVal

The Harvard College Opera presents during the ceremony celebrating Tines.
Photo credit to Grace DuVal
During the medal ceremony, Tines and his ensemble, The Truth, delivered a rendition of “Let It Shine,” an impressive reprise of “This Little Light of Mine” that prompted the audience to rise. He also conversed with Diane Paulus, the Terrie and Bradley Bloom Artistic Director of A.R.T., reflecting on his experiences at Harvard, where he focused on sociology, participated in the Harvard-Radcliffe Orchestra, and performed his inaugural opera, Stravinsky’s “Rake’s Progress,” with the Dunster House Opera Society.
Tines mentioned that his time spent in arts administration (including serving as an A.R.T. intern) prior to pursuing a career as a performing artist provided him with a deeper understanding of all the effort involved in every artistic production. He expressed that being an artist now signifies not just “holding a mirror up to reality,” but also acting as a beacon to encourage creativity and courage in others.
“In my continuous effort to comprehend all aspects of myself and unify them in a coherent manner, I aim to demonstrate that this is achievable for everyone, artists and the public alike,” Tines commented. “We are composed of numerous elements, we originate from diverse backgrounds, and it’s crucial to honor all those influences while empowering ourselves to embrace them, even when they clash.”

Anugraha Raman ’12 (left) and Kohal Das rehearse for their performance in the Science Center Plaza.
Photo credit to Dylan Goodman

Members of the Boston Cendrawasih gather prior to their performance.
Photo credit to Dylan Goodman

Emil Massad ’25 directs the Charles Revival and Friends performance. Massad organized the ensemble and arranged the music for the show.
Photo credit to Dylan Goodman

Anoushka Chander ’25 sings during the Charles Revival and Friends performance. The ensemble exclusively comprises musicians from the Class of 2025.
Photo credit to Dylan Goodman

Onovughakpor Otitigbe-Dangerfield ’25 performs with the Charles Revival and Friends ensemble.
Photo credit to Dylan Goodman

Matthew Andrews ’25 plays the bagpipes during the Charles Revival and Friends performance.
Photo credit to Dylan Goodman

Paton Roberts ’25 cheers for the artists under the large tent.
Photo by Dylan Goodman

Roseanne Strategos ’25 (right) engages on stage with the Three Letter Acronym (TLA) improv group in Harvard Yard.
Photo by Dylan Goodman

Nathalie Beerelq (left) enjoys laughter during the TLA show.
Photo by Dylan Goodman

Emily Huttin (right) crafts a cyanotype in the Science Center Plaza.
Photo by Dylan Goodman

Zack Li and his mom Linghui Li shape clay at an arts station in Science Center Plaza.
Photo by Dylan Goodman

Joshua Halberstadt ’25 (left) and Ava Maha ’28 showcase the Act 1 Finale from Mozart’s “Don Giovanni” during the performance by Harvard College Opera at Sanders Theatre.
Photo by Dylan Goodman

Dexter Suhn ’27 (right) performs alongside bassist Rocco Rizzi in Holden Chapel.
Photo by Dylan Goodman

Shriya Srinivasan (left), SEAS Faculty, and Shriya Srinivas from the Anubhava Dance Company showcase their dance.
Photo by Dylan Goodman
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